Critics and Readers Select Best Books 2017. This list is an unique as it is rare that books amass critical acclaim and popular bestseller status. This year’s selections are prescient, historical, fantastical, and autobiographical. The diversity of authors, intricate narratives, and complex protagonists engage avid and novice readers alike.awards here and across the Atlantic. The Underground Railroad won the National Book Award.
I keep up with releases and reviews through a few podcasts that interview the writers and critics. A few of the more entertaining and insightful podcast are Inside The New York Times Book Review, The New York Fiction Podcast, and Studio 360. These titles are at of my pile. I attached an excerpt for each so you will know,what’s in store. Read an excerpt for book below the front cover.
Jesmyn Ward’s second novel for which she won her second National Book Award for Fiction. Her debut novel Salvage the Bones, won in 2011. Drawing on Morrison and Faulkner, The Odyssey and the Old Testament, Ward gives us an epochal story, a journey through Mississippi’s past and present that is both an intimate portrait of a family and an epic tale of hope and struggle. Ward is a major American writer, multiply awarded and universally lauded, and in Sing, Unburied, Sing she is at the height of her powers.
Jojo and his toddler sister, Kayla, live with their grandparents, Mam and Pop, and the occasional presence of their drug-addicted mother, Leonie, on a farm on the Gulf Coast of Mississippi. Leonie is simultaneously tormented and comforted by visions of her dead brother, which only come to her when she’s high; Mam is dying of cancer; and quiet, steady Pop tries to run the household and teach Jojo how to be a man.
Sing, Unburied, Sing grapples with the ugly truths at the heart of the American story and the power, and limitations, of the bonds of family. Rich with Ward’s distinctive, musical language, Sing, Unburied, Sing is a majestic new work and an essential contribution to American literature.
Celeste Ng invokes a same attention-grabbing tone in this her second novel: Little Lies Everywhere – as in her debut novel: Everything I Never Told You. At the beginning of the each novel, you know part of the tragedy that will befall the characters – the mystery is figuring out how they got there.
In Shaker Heights, a placid, progressive suburb of Cleveland, everything is planned — from the layout of the winding roads, to the colors of the houses, to the successful lives its residents will go on to lead. And no one embodies this spirit more than Elena Richardson, whose guiding principle is playing by the rules.
Enter Mia Warren — an enigmatic artist and single mother — who arrives in this idyllic bubble with her teenaged daughter Pearl, and rents a house from the Richardsons. Soon Mia and Pearl become more than tenants: all four Richardson children are drawn to the mother-daughter pair. But Mia carries with her a mysterious past and a disregard for the status quo that threatens to upend this carefully ordered community.
The magic of this novel lies in its power to implicate all of its characters—and likely many of its readers—in that innocent delusion [of a post-racial America].
In his long-awaited first novel, George Saunders delivers his most original, transcendent, and moving work yet. Unfolding in a graveyard over the course of a single night, narrated by a dazzling chorus of voices, Lincoln in the Bardo is a literary experience unlike any other—for no one but Saunders could conceive it.
February 1862. The Civil War is less than one year old. The fighting has begun in earnest, and the nation has begun to realize it is in for a long, bloody struggle. Meanwhile, President Lincoln’s beloved eleven-year-old son, Willie, dies and is laid to rest in a Georgetown cemetery.
From that seed of historical truth, George Saunders spins an unforgettable story of familial love and loss that breaks free of its realistic, historical framework into a thrilling, supernatural realm both hilarious and terrifying. Willie Lincoln finds himself in a strange purgatory, where ghosts mingle, gripe, commiserate, quarrel, and enact bizarre acts of penance. Within this transitional state—called, in the Tibetan tradition, the bardo—a monumental struggle erupts over young Willie’s soul.
When powerful real-estate tycoon Nero Golden immigrates to the States under mysterious circumstances, he and his three adult children assume new identities, taking ‘Roman’ names, and move into a grand mansion in downtown Manhattan. Arriving shortly after the inauguration of Barack Obama, he and his sons, each extraordinary in his own right, quickly establish themselves at the apex of New York society.
The story of the powerful Golden family is told from the point of view of their Manhattanite neighbor and confidant, René, an aspiring filmmaker who finds in the Goldens the perfect subject. René chronicles the undoing of the house of Golden: the high life of money, of art and fashion, a sibling quarrel, an unexpected metamorphosis.
In a new world order of alternative truths, Salman Rushdie has written the ultimate novel about identity, truth, terror and lies. A brilliant, heartbreaking realist novel that is not only uncannily prescient but shows one of the world’s greatest storytellers working at the height of his powers.
Anna Kerrigan, nearly twelve years old, accompanies her father to the house of a man who, she gleans, is crucial to the survival of her father and her family. Anna observes the uniformed servants, the lavishing of toys on the children, and some secret pact between her father and Dexter Styles.
Years later, her father has disappeared and the country is at war. Anna works at the Brooklyn Navy Yard, where women are allowed to hold jobs that had always belonged to men. She becomes the first female diver, the most dangerous and exclusive of occupations, repairing the ships that will help America win the war. at a night club, she chances to meet Styles, the man she visited with her father before he vanished, and she begins to understand the complexity of her father’s life.
With the atmosphere of a noir thriller, Egan’s first historical novel follows Anna and Styles into a world populated by gangsters, sailors, divers, bankers, and union men. Manhattan Beach is a deft, dazzling, propulsive exploration of a transformative moment in the lives and identities of women and men, of America and the world.
“We Were Eight Years In Power” was the lament of Reconstruction-era black politicians as the American experiment in multiracial democracy ended with the return of white supremacist rule in the South. In this sweeping collection of new and selected essays, Ta-Nehisi Coates explores the tragic echoes of that history in our own time: the unprecedented election of a black president followed by a vicious backlash that fueled the election of the man Coates argues is America’s “first white president.”
This book also examines the new voices, ideas, and movements for justice that emerged over this period—and the effects of the persistent, haunting shadow of our nation’s old and unreconciled history.
We Were Eight Years in Power features Coates’s iconic essays first published in The Atlantic, including “Fear of a Black President,” “The Case for Reparations,” and “The Black Family in the Age of Mass Incarceration,” along with eight fresh essays that revisit each year of the Obama administration through Coates’s own experiences, observations, and intellectual development.
The majority of this book, then, is in print by now and available online; but Coates adds an unexpected element that renders We Were Eight Years in Power both new and revealing. Interspersed among the essays are introductory personal reflections; they are “attempts to capture why I was writing and where I was in my life at the time,” Coates explains. “Taken together they form a loose memoir, one that I hope enhances the main pieces.”